
Art Program
Background
The Port of Seattle (Port) has been an active proponent of art since the late 1960s as the first public
airport to establish a civic art collection. The Port implemented the Port-Wide Arts and Cultural
Program Policy Directive (Policy), which was approved by Commission on November 19, 2019. The
purpose of the policy is to position the Port as a national leader among its peers for art and cultural
programming, to promote art and cultural programming throughout all Port and Port-related facilities,
and to engage the public. The Policy replaces the Port Art Program Policy and Guidelines, approved
by Commission in December 2009.
The Policy references an aviation and non-aviation art pool. The pool is funded at one-percent (1%) of
the budgeted capital construction costs. The Policy identifies the following funding exclusions:
• Aviation division projects: airfield paving and associated airfield components; fuel hydrant
systems; baggage systems in the bagwell which are not in the public bag claim area; and
underground utilities.
• Maritime division projects: fishing-related docks; berths; dolphins; piles; electrical; and sewage.
Oversight is provided by the Port-Wide Arts and Culture Board (Board) for guidance, leadership, and
support to procure, commission and incorporate high-quality art that engages the public. The Board is
comprised of the following nine (9) members:
• Two (2) commissioners appointed by the Commission President.
• Three (3) members of the executive leadership team appointed by the Executive Director:
a. Maritime Managing Director or designee.
b. Economic Development Managing Director or designee.
c. Airport Managing Director or designee.
• Four (4) members of the public, as recommended by the Board and Senior Art Manager, and
appointed by the Commission.
The Board establishes Port-Wide Arts and Cultural Program Guidelines (Guidelines) and includes the
following guidance:
• Direct the Port’s art collection and cultural programming to represent the diversity of the people
living in King County, including indigenous and those historically marginalized.
• Direct the protocol for the procurement, commission, selection, conservation and maintenance,
relocation, deaccession, sale and lease of artwork.
• Includes protocols for all temporary art exhibits, rotating exhibits and programing.
• Incorporates Port equity, diversity and inclusion principles throughout the entire program.
• Includes the following considerations:
a. complement the overall aesthetic of the surrounding area
b. encapsulate and reflect the spirit of the Pacific Northwest
c. coordinate with signage and way-finding when possible
d. elevate the Airport’s rating on internationally-recognized airport-rating systems
e. adhere to industry practices around conservation and maintenance
f. generally allocate funds to the project that generated the specific funds; when
recommended